Shit list
2 hours ago
Wednesday, November 25, 2009
Tuesday, November 24, 2009
In the Island: 809 Koro Navideño
Blue Velvet (La Terraza) : Malecon Center [Santo Domingo, RD]
www.809k.com
Thursday, November 19, 2009
EKLIPZE: 15 hours of music with 3D visuals
On NOVEMBER 28th, NEW-YORKERS will witness a total EKLIPZE that will be heard around the WORLD. This EKLIPZE will bring a MASSIVE flow of energy that will bring out the best sounds and lights NATURE and MANKIND can offer.
Memek ( Minimoo )
Connie ( Resolute )
Cylo ( Massive Groove us, uk )
Steve LeTigre ( Subtropical Records )
Eddie Krilov ( Music Risquee, Less )
Vadim Dostmann ( Less )
Juan Gaviria ( Den Of Thieves )
Junior White & Asso Spades (Soulshine Rec, Next Dimension, WakeUp)
Gesine Pertenbreiter ( Space Camp )
Visual Arts Curated by Ellie Colon
Info
Tuesday, November 17, 2009
Pinta 09
Friday Nov. 20th | Viernes 20 de nov
PINTA is a unique event exhibiting annually – for sale through the participating galleries – the best of Latin American art, coinciding with Christie’s and Sotheby’s Latin American art auctions and with important exhibitions in museums and cultural institutions in New York City.
The fair organizers have invited the most prestigious galleries from the United States, Latin America and Europe to participate in this event. Thus, PINTA will be an exclusive fair which will include the participation of fifty select art galleries showing museum-quality works representative of abstract, concrete, neo-concrete, kinetic and conceptual art, as well as of other contemporary art movements.
SHOW LOCATIONS
The Metropolitan Pavilion
125 West 18th Street ,
Between 6th and 7th Ave.
New York City, NY 10011
The Altman Building
135 West 18th Street
New York City, NY 10011
Georgia O’Keeffe: Abstraction
lthough Georgia O’Keeffe (1887–1986) has long been celebrated as a central figure in twentieth-century art, the abstract works she created throughout her career have remained overlooked by critics and the public in favor of her representational subjects. In 1915, O’Keeffe leaped into abstraction with a group of charcoal drawings that were among the most radical creations produced in the United States at that time. In these and subsequent abstractions, O’Keeffe sought to transcribe her ineffable thoughts and emotions. While her output of abstract work declined after 1930, she returned to abstraction in the mid-1940s with a new vocabulary that provided a precedent for a younger generation of abstractionists. By devoting itself to this largely unexplored area of her work, Georgia O’Keeffe: Abstraction is an overdue acknowledgment of her place as one of America’s first abstract artists.
The exhibition includes more than 125 paintings, drawings, watercolors, and sculptures by O’Keeffe as well as selected examples of Alfred Stieglitz’s famous photographic portrait series of O’Keeffe. The exhibition will be accompanied by a fully illustrated catalogue with essays by the organizers, excerpts from the recently unsealed Stieglitz-O’Keeffe correspondence, and a contextual chronology of O’Keeffe’s art and life.
Whitney Museum of American Art
945 Madison Avenue at 75th Street
New York NY 10021
Monday, November 16, 2009
Friday, November 13, 2009
Wednesday, November 11, 2009
Friday, November 6, 2009
Thursday, November 5, 2009
Who Shot Rock & Roll
A Photographic History, 1955 to the Present
Until January 31st,
First major museum exhibition on rock and roll to put photographers in the foreground, acknowledging their creative and collaborative role in the history of rock music. From its earliest days, rock and roll was captured in photographs that personalized, and frequently eroticized, the musicians, creating a visual identity for the genre. The photographers were handmaidens to the rock and roll revolution, and their images communicate the social and cultural transformations that rock has fostered since the1950s. The exhibition is in six sections: rare and revealing images taken behind the scenes; tender snapshots of young musicians at the beginnings of their careers; exhilarating photographs of live performances that display the energy, passion, style, and sex appeal of the band on stage; powerful images of the crowds and fans that are often evocative of historic paintings; portraits revealing the soul and creativity, rather than the surface and celebrity, of the musicians; and conceptual images and album covers highlighting the collaborative efforts between the image makers and the musicians.
First major museum exhibition on rock and roll to put photographers in the foreground, acknowledging their creative and collaborative role in the history of rock music. From its earliest days, rock and roll was captured in photographs that personalized, and frequently eroticized, the musicians, creating a visual identity for the genre. The photographers were handmaidens to the rock and roll revolution, and their images communicate the social and cultural transformations that rock has fostered since the1950s. The exhibition is in six sections: rare and revealing images taken behind the scenes; tender snapshots of young musicians at the beginnings of their careers; exhilarating photographs of live performances that display the energy, passion, style, and sex appeal of the band on stage; powerful images of the crowds and fans that are often evocative of historic paintings; portraits revealing the soul and creativity, rather than the surface and celebrity, of the musicians; and conceptual images and album covers highlighting the collaborative efforts between the image makers and the musicians.
200 Eastern Pkwy.,
718-638-5000
Sun, 11am-6pm
Filosofía Urbana 102
Las vacas de Pie de Cuesta andan a menudo sueltas por las calles y molestan a los transeúntes. (Trans; quítate del medio, que estorbas)
Wednesday, November 4, 2009
Filosofía Urbana 101
" ....De pana!
El placer dura un ratito
un embarazo 9 meses y
la crianza toda la vida..".
Ortuño
El placer dura un ratito
un embarazo 9 meses y
la crianza toda la vida..".
Ortuño
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